Getting The Most Out of Your Studying – Kelly Stone, CTE Co-op Student

Most people view lecture and lab time as the largest part of learning; however, it’s not what students spend the most time on. For me, studying takes up the majority of my time and I’ve been learning how to optimize it. Throughout my education, I’ve been introduced to different ways of studying, all of which I have tried at least once; you never know what works best for you until you do. Since midterms are currently in full swing, and exams are about one month away, I thought I’d share my opinion on these various types of study methods.

Plate of Smarties arranged by colour.During first year, living in residence meant study buddies were available at all times. Having other people to study with can be quite valuable, especially in courses that are heavy in memorization. By talking through concepts with other people, you become aware of topics you are unsure of. Becoming aware of the materials you haven’t memorized allows you to refocus your efforts for better use of your time. Afterwards, I find meeting with your study buddies again the night before the midterm or exam is extremely beneficial – especially when you introduce food incentives. In first year I took Introductory Zoology, a course that required a lot of memorization regarding phylum names. Two roommates and I created our own study game the day before our final exam. We purchased Smarties and separated them onto a plate based on their colour, which we gave phylum names, producing eight groups with nine per group; therefore you could choose a question from a phylum up to three times. By introducing food incentives, and categorizing those incentives, my roommates and I ensured we reviewed materials from all of the relevant phyla we needed to know.

Despite the benefits of studying with other people, some courses are difficult to collaborate on, such as Chemistry or Mathematics. For courses such as these, working through practice problems is the typical method. But there are other ways to ensure you actually understand the problems, instead of memorizing numbers. Whenever I have to use equations to solve problems presented to me, I break down the process instead of focusing on the numbers. For this I write an equation on my whiteboard that I am expected to know. I then isolate each component and talk out loud about what it is and how to recognize what piece of information from a question would be used. After talking through what is used in an equation, I work through step-by-step how the numbers are used, especially in classes such as Mathematics. By breaking down the process for solving problems, I am better able to answer questions on exams because I understand the steps I need to go through, not just the numbers from practice problems.

In addition, I have tried other study techniques for when I am unable to study with other people. The first way I have tried, and still use to this day, are flash cards and – what I have called – flash tables. The benefit of these mainly comes from making them. For terms, making flashcards ensures I cover all those discussed in lecture, with a definition worded in my own way that makes sense to me. For concepts or groupings, such as phyla, I create “flash tables” where I write a profile for that concept; this includes the name of the concept, a general explanation, how it’s used, how it’s related to other concepts, and any defining characteristics. The process of creating these “flash” papers helps me to determine what I know, what I sort of know, and what I need to focus on.

Life cycle of a jellyfishAlong with creating these “flash” study resources, I incorporate mnemonics into my studying. During Introductory Zoology, we were expected to memorize reproductive cycles of various phyla; that meant we had to know the names of the life stages. For example, the jellyfish lifecycle consists of five distinct stages – Planula Larva, Scyphistoma, Strobila, Ephyra, and Mature Medusa. With help from my roommates, we created a mnemonic to remember the stages, based on the first letters: People Love Seeing Stars Even Monday Morning. Needless to say, I still haven’t forgotten the life stages of the jellyfish!

Of course, with every successful discovery, there are always some failures. A high school teacher suggested I record myself saying my lecture notes. Then, with these recordings, suggested I listen to one lecture each night before falling asleep since short-term memory is transferred into long term overnight. Since I was still determining the best study method for myself, I decided to give it a try. I found saying my notes out loud as if I were presenting the material to be quite helpful; however, listening to my recordings later was not as beneficial as I thought it would be. Personally, by the time I reached my bed, I no longer had the concentration to absorb the material. But it was an interesting experience that led me to talking out loud instead of simply reading my notes.

In the end, studying is different for everyone and we all gravitate towards methods that might not work for someone else. I have learned that verbal studying is extremely beneficial and to never be afraid to ask someone else to explain an unclear concept. Collaboration helps you determine the topics you may have missed or perhaps interpreted incorrectly. With all that said, happy studying and good luck on your midterms and exams!

You can’t see me — The Spotlight Effect – Sherry Lin, CTE Co-op Student

spotlightThinking back to before I can remember, my peers and educators have identified me as a shy and quiet individual: slightly inadequate in class participation, but excelling with regard to listening skills. After acknowledging this about myself and given time to reflect, I have since been challenging myself to become more outspoken and pushing to leave my anxiety-neutral condition — to step outside of my comfort zone.

Just last week, I had the wonderful opportunity to sit in on and participate in the CTE Fundamentals of University Teaching workshop “Teaching with Confidence”, facilitated by Angela Nyhout. Participants were able to reflect on aspects they were less confident about in their teaching methods, and discuss why this may be so. One of the most relatable and interesting concepts I took away from this workshop was the social psychological aspect of confidence.

I believe we have all felt it at some point in time: the feeling we’ve coined as ‘butterflies in our stomachs’. The psyche holds much more power than we think, and this reflects in our actions; it could be in the form of an uncharacteristic stutter, quivering of the voice, or an uncontrollable tremor of the hands. These behaviours are a result of what we call “The Spotlight Effect.”

The Spotlight Effect phenomenon refers to the tendency to overestimate the attention you are receiving from the audience you are interacting with. One is left with the constant awareness brought on by a glaring forehead zit, or the paranoia about whether or not there are pieces of spinach stuck in between the teeth. Were your hands too clammy when you shook the ones of your future employer? What about the possibility of a mustard stain on your shirt, when giving an important speech in a sea of attentive eyes? If we take a moment to think about it, each and every one of us can probably recall a situation where self-consciousness took over and the impulse to fold into yourself and self-destruct, or run away, arose.

Speaking to a few participants in the workshop, I realized anxiety and self-consciousness is a trait we all hold – it’s just that some people have it to a greater extent than others. Regardless of whether you are far skewed on the extrovert side of the scale, or a shy and introverted individual, feelings of anxiety and self-consciousness are universal, and do tend to occur now and again. I also learned that, to my dismay, anxiety will likely follow me to postgraduate studies and beyond. Fortunately, through taking this workshop, I have discovered ways to combat this predicament. The key, as I had always known but had trouble acknowledging, is practice and experience. More practice will provide one with more experience. By accumulating more experience, confidence will naturally be boosted through familiarity and routine. Other tips and tricks include eating something small or chewing a piece of gum. This will trick the mind into thinking that if one is eating, there is no imminent danger. Without the threat of danger, it will rid the mind of the “fight or flight” adrenaline response that may kick in.

Narcissistically speaking, we are the centres of our own universes and therefore we are apprehensive of judgment from others. Unfortunately, we are also our own worst critics. In the clashing of these two fates, we tend to beleaguer ourselves regarding our letdowns, and overlook or make light of our achievements. We subconsciously believe that the only way to feel accomplished, that we did a job well, is to please everybody. I think something we often forget is that we spend so much time worrying about ourselves that we do not have time to worry about others. The figurative double-edged sword runs both ways, in that others likely do not find the time to worry about you. Thus, it turns full circle. You can’t see me; so I can be confident, because there is nothing to worry about.

Media and the affective domain – Veronica Brown

I am still letting last week’s thoughts about expressive activities leading to expressive outcomes rummage around in my head. For now, I’d like to talk about the value of media in instruction and assessment of the affective domain. I’d like you to take a few minutes to look at the following three examples.

Example 1 – Tacoma Narrows Bridge

First, watch this video. It shows the Tacoma Narrows Bridge collapse in 1940.

The image of that bridge oscillating has stayed with me all these years. We watched that film (yes, this was pre-YouTube and I’m almost positive it was a film) in high school physics. For me, it was life-changing. Sounds a bit dramatic but I could never look at a structure the same way again. Even watching it today, a thousand questions run through my mind. How did that happen? Not just the physics of it but the human side, too. Who reviewed all the specs? How did this possibly happen? Can concrete actually move like that? Why did that car get stuck there? Was anyone hurt?  But as I sit at my computer writing this blog, a different question comes to mind.

Why did my physics teacher show us that film?

Example 2 – Rural and Urban Life in England

Now, I would like you to perform two Google searches for images (just click the links below to see my search’s results).

Search 1: 17th Century rural England      http://bit.ly/1iUw3JL

Search 2: 19th Century Tenements         http://bit.ly/1g0ZRof

How do you feel when you see those two images? Where would you rather live? Why? This idea of sharing images for comparison was presented by Linda Hunter at the Teaching & Learning Innovations (TLI) Conference at the University of Guelph (2012). She used two images to help students immediately see the difference between two time periods. She also played examples of the music of the eras (the abstract of her presentation, Making Connections Across Disciplines: An Interdisciplinary Approach to Interpreting Art, Music and Film for Sociological Theory Applications,  is available on the TLI web site). While we might understand that it was crowded in London in the late 19th century, how quickly we might be able to appreciate just how different it was from rural life 200 years earlier. These images and the music served as an introduction to a lesson but could also become an assessment tool. By asking students to find images to represent that era then comparing the images through a written component, students are able to demonstrate their knowledge of the era while also reaching into the affective domain. Another option would be to have students create something to represent both eras, such as a piece of art, a photo, a video, or some other piece.

Example 3 – Durham City Baths

Finally, I’d like you to look at the images in this article, Adventures of a Serial Trespasser. In particular, check out Photo 20 then compare it to the photos on Rob Birrell’s photography blog – Durham City Baths. I can imagine asking students to review both photos in any number of disciplines. They could prompt a discussion in any number of disciplines, such as planning, recreation and leisure, sociology, fine arts, engineering, economics, or environment and resource studies. To encourage students to look beyond the simplistic view that it is an old building that’s falling apart, why not ask students to defend the city’s decision to abandon this facility in order to build a new recreation complex. Other questions could encourage students to consider diversity, societal impact, socio-economic factors, historical factors, political implications, etc.. A broad question, such as What factors might influence the city’s decision not to repair the existing facility?, could provide opportunities to assess whether students are even aware of these factors. In this case, media can be used to encourage students to take a broader view of the scenario beyond addressing only the knowledge pieces.

Veronica

Feb25blog

 

 

Do students know what good teaching is? — Dr. Mark Morton

Do students know what good teaching is?

That’s a question that often arises when I meet with instructors to explore ways of enhancing their teaching. It’s also a question that must occur to all instructors every time they review the results of their end-of-term course evaluations (no one, after all, gets perfect evaluations!).

The question might be restated this way: although students undoubtedly know what they like from an instructor, do they always know what they need?

The answer, I think, is that most of them do (but not all the time). I’ve reached this conclusion after reading through the submissions to this year’s Loving to Learn Day contest. That contest asked students (and others) to respond to this question: “What makes a teacher a really GREAT teacher?”

I received about 200 responses to this question from students ranging from grade three to undergraduates. All of the responses were genuinely thoughtful. Not a single one of the responses included glib or flippant statements such as “Teachers who end class early and give easy tests are great!”

More interesting, though, was the extent to which the students’ responses echoed the best practices for instructors that have been identified and articulated by experts in higher education. Chickering and Gamson’s “Seven Principles for Good Practice in Undergraduate Education,” which was developed in 1987, is one such best-practices rubric. Here are those seven principles:

  1. Encourages contact between students and faculty.
  2. Develops reciprocity and cooperation among students.
  3. Uses active learning techniques.
  4. Gives prompt feedback.
  5. Emphasizes time on task.
  6. Communicates high expectations.
  7. Respects diverse talents and ways of learning.

I seriously doubt whether any of the students who participated in the Loving to Learn Day contest have ever heard of Chickering and Gamson. Yet in the 200 responses that I received from them, each of those seven principles was articulated many times. In fact, it’s easy to recreate Chickering and Gamson’s best practices by extracting passages from the students’ responses:

  1. “I really like a teacher who is willing to spend extra time focusing, one on one with a student to benefit their learning. I think it is admirable when a teacher will go out of their way and uses their own time to help a student or to talk to them about personal issues.”
  2. “An awesome teacher is original, kind, fun, brave, courageous oh my I just could go on forever and they need to be wise, smart of course but they sometimes do not have to be smart because they and us kids learn better by learning together.”
  3. “My favourite teacher would be one that teaches subjects hands-on, and lets you try new things. They would let you experiment, and you wouldn’t have to do exactly what they do.”
  4. “Also, handing back marked work fast makes it easy for a student to find out what they need to fix for similar future work.”
  5. “A great teacher is one who sets clear due dates/objectives for homework/projects and makes sure not to hand out more than a student can handle.”
  6. “A great teacher sets high expectations and doesn’t give up on their students.”
  7. “All teachers should respect their student’s different learning styles and know how to bend their teaching routine to help the students learn in a way that is comfortable for them.”

Based on the 200 students’ responses, it seems to clear to me that students do know what they need from an instructor. They know, in other words, what makes an instructor a really GREAT instructor. At least some of the time.

The reason I add this qualifier – “some of the time” – is that these students obviously wrote their responses when they were actively and intently reflecting on the qualities of great instructors. They didn’t write them when they were in the middle of a dry biology lecture, nor did they write them as they were trying to study for two midterms on the same night. Ask them the same question in those circumstances, and the responses might start to include comments like “great teachers liven up the class with jokes” and “great teachers give easy midterms.”

In other words, what students’ think about the characteristics of a great teacher is probably shaped by the immediate circumstances of those students. In a similar way, my thoughts about food are influenced by my immediate circumstances. I do, for example, have a pretty good understanding of nutritional best practices – that is, I know what I need to eat and not eat to stay healthy. But if I’m stressed out or overly hungry, all that goes out the window. Best practices become a bag of chips or a chocolate bar.

This recognition of the role of context is important, I think, because it means that if we want to ensure that students understand what good teaching is, we don’t really need to teach it to them. They already know what makes a great teacher. Instead, we need to teach them coping skills or meta-cognitive skills so that they can keep an awareness of that knowledge in their minds when they are in less than ideal circumstances – like when they are in the middle of a dry lecture, or when they are tired or stressed out but still need to study for an exam.

So, if you’re an instructor, I think you can trust that your students, deep down, already know what makes an instructor great. If you want to bring that knowledge to the surface, just give them the time and opportunity, once in a while, to take a deep breath and reflect on what they really need from their instructors. And, while you’re at it, you might also ask them to reflect on what they need to do to become great learners.

Incidentally, here are more extracts that I’ve taken from the 200 responses that students submitted:

  • I enjoy teachers that don’t always stick to the teaching schedule. They wander off topic to enable further learning and understanding of a topic or lesson. They encourage their students to dig deeper and learn more.
  • Creativity is essential to teaching because it keeps learning fresh, and students open-minded. It’s easy for teachers to make students sit in rows, and give identical worksheets to students, but a great teacher can inspire learning, inspire creativity.
  • I think a great teacher should take the time and effort to remember important things about a student’s life.
  • What makes a teacher a great teacher is when they always know your level of intelligence so they know what work to give to you. They should challenge you, but not too much.
  • I think a good teacher is one that never lets you give up. They’re patient and happy, they tell you “You Can!” when you think you can’t. They are there for you, they let you take the time you need, and they help you all the way through.
  • The teacher should make learning seem fun and comfortable. Not necessarily easy, but it shouldn’t seem like the hardest thing ever.
  • Teachers need to keep an open mind. Students differ in everything from gender and race to personality and sexual orientation. If a teachers push stereotypes on them, they could cause a lot of stress.
  • To be a good teacher you have to believe that you are good at teaching.
  • A great teacher respects their students. They are free to think whatever they want.
  • For teachers to be great, they have to possess some key qualities; patience, kindness, a desire to learn, a love for their job, and a sense of humour.
  • Great teachers choose teaching because they thrive on helping students and they have a passion for learning.
  • Another thing that makes a really GREAT teacher is that they need to have appreciation for everything you do. If you help another student they should take that into account.
  • Teachers need to have a sense of humour. Humour can keep students engaged in their learning. Having a less serious side makes teachers more human and approachable.
  • A great teacher does what is best for the student, whatever that might be.
  • What makes a teacher REALLY great? To me, it’s a teacher with passion. When your teacher comes through that door in the morning to the moment they leave, they are excited to teach, they are excited to enrich our brains with knowledge.
  • A good teacher is always well prepared and organized. They are a master of their subject, and would make their instructions clear to all students.
  • A great teacher doesn’t force their ways upon you.
  • We need the kind of people who will recognize the students that try so hard just to get a C. Teachers that care. We don’t need great teachers. We need great people.
  • The best teacher is one that teaches you the harmony between everything good and bad. One who helps you grow as a human being.
  • In twenty years you might not recall that your math teacher explained fractions well. But you might remember that she brought in a pie to show you.
  • A great teacher needs to be willing to try new things. To try a different lesson, to try a different approach, and to take risks. They need to be willing to experiment, to have successes, to have failures, and to learn from their experiences.
  • A great teacher is someone who understands that each student has different strengths and weaknesses, and from there aims to help them reach their individual needs. They never focus on grade comparison, but rather on the progress a student is making.
  • A great teacher would have to be able to teach in different way, because not everyone learns the same as everyone else.
  • A great teacher never keeps knowledge to themselves. When they’ve learned something new from their experiences they make sure that their students are learning from them as well. For this reason I would describe every great teacher I’ve ever had as generous. They are people who are always willing to share their wisdom with others.
  • To me a teacher is someone that helps you discover and guides you toward your dream.

And if you want more, you can read all of the responses to “What makes a teacher a GREAT teacher?” at the Loving to Learn Day site.

The Power of Storytelling in Teaching- Zahra Razavi

castle

Remembering the different components of the human body’s response to an infection was challenging to recall at first, especially when there were so many other similar responses to confuse it with. However, when the bacteria were thought of as intruders from another kingdom trying to take over the castle, the macrophages were thought of as guards who inform the king and queen of the intrusion, and the neutrophils were thought of as the kingdom’s army who defeat the intruders and saved the kingdom, remembering the response wasn’t as challenging.

 Story telling is a powerful learning tool. We have used stories as a way to convey information and to share experiences for centuries. Many of the important life lessons we were taught as children were told to us through stories and fairy tales. Stories can arouse emotions in the listener, motivate and inspire them.  The structure of a story can connect information together meaningfully and make the purpose of each piece of information clear. Stories also stimulate the listener to relate the new information being conveyed with their own previous experiences, which can greatly increase recall abilities and understanding of the new concept being presented. Instructors can see many positive effects from giving a lesson the structure of a story.  Although it may be challenging to create a story from simple facts, the positive outcome can make it well worth the effort.

 Seemingly unconnected data can be reshaped into something meaningful when given the structure of a story. Every lesson can benefit from a story structure. Giving a lesson a basic structure of having a situation laid out (a beginning), having a challenge presented (the middle), and reaching a new truth (the end), will give the information presented throughout the lesson significance, and will make the lesson much more memorable. Lectures in which the connections between the information being presented are not clear, and in which the significance of the data is not evident, are hard to understand, frustrating to listen to, and challenging to remember.  As a biology undergraduate student, I know that I have spent numerous occasions memorizing information which I could not see the relevance of, and I was most likely forget as soon as I was done writing my final exam.

 Our understanding of a concept can increase if the concept is presented in the context of a story, because a story context stimulates our minds to try to relate the new information to our own personal experiences. Using the structure of a story activates the areas in the brain that makes the story feel like the listener’s own idea and experience. The greater the amount of neural pathways we have to connect to a new concept, the easier it is to recall that concept and therefore make use of it.

 Even though it would be difficult to teach every lesson through storytelling, it would be vital to a lesson to have a story in it to grab the student’s attention and or to drive the most important part of the class home. Even if we can’t teach everything through accessing the imagination we can help the students remember the most imperative points of the lesson through storytelling.

 

Photo by Simply Shar♥n; retrieved from flickr.com Creative Commons; license agreement http://creativecommons.org/licenses/by-nc/2.0/

Standards, Judgments and the Finnstep – Veronica Brown

Until today, I had never heard of the Finnstep. Now, it is streaming across social media as yet another debate emerges on the subjectivity (and potential corruption) of judging figure skating. It’s rather a timely debate as I work my way through Eisner’s (1985) The Educational Imagination. Having skimmed the first few chapters (which deal with social factors that influence the curriculum, an assessment of the state of education at the time, and some curriculum basics), I have landed at Chapter 6, “Educational Aims Objectives, and Other Aspirations”. He begins with a nice overview of behavioural objectives, how best to define and use them, their merits, and their shortcomings.

I am see great value in behavioural objectives because they provide specificity, measurability and, one hopes, objectivity in assessment. Those behaviours are often tied to standards, which Eisner describes as “crisp, unambigous, and precise” (p. 116). They are best when you  know what the end product will look like. Consider swimming lessons. A swimmer must be able to fulfill all criteria for a given level (e.g., complete a front dive off a 1m board, swim front crawl 50m, swim back crawl 25m, tread water 1 minute, etc.) before moving to the next level. Swimming lessons exemplify a competency-based system based on well-defined standards. A swimmer does not move to the next level until all elements of the current level are completed. It is not a system where you can pass 60% of the elements and move on, you must pass everything or you re-do that level. The outcomes are very specific and the same standard is applied across all swimmers in that level. There is a little bit of room for judgment (e.g., the  quality of the front crawl might vary) but most elements are fairly objective (e.g., you can tread water for one minute or you can’t).

The reality, however, is that not everything is as clear as your success swimming across a pool. Eisner acknowledges there is a place for such behavioural objectives, but exposes the limitations of this approach. He asks,

But what about the rhetorical force of a students’ essay ? What about the aesthetic quality of her painting? What about the cogency of his verbal argumentation? What about her intellectual style, the ways she interprets the evidence in a  science experiment, the way in which historical material is analysed? Are these subject to standards? I think not.

But to say that such qualities cannot be measured by standards is not to say that judgments cannot  be made about them. It is not to say that one can have no criteria through which to appraise them. Judgments can say much about such qualities, not by the mechanical application of prespecified  standards, but by comparison of the qualities in question to a whole range of criteria that teachers or others making the judgment already possess. (p. 116)

This is the part that makes me nervous about assessing the affective domain. Before joining CTE, I was an instructional coordinator, managing very large classes. Leaving all this to “judgment” makes me nervous. Some of our courses had more than 40 markers. How could I be sure their judgment was the same? How could I minimize variance in that judgment? Can you really trust “judgment”? How many judging scandals have we heard about? Just how “fair” is judging? OK, I admit maybe I’m just in a slightly cynical mood having watched the Olympics all day only to hear tonight that people are talking about figure skating judges, again. Before worrying about these larger issues, let’s get back to the question of the day, how do we define outcomes related to the affective domain? Not to say behavioural objectives cannot be used in the affective domain, but I do think they are limited.

Eisner gives two alternatives to behavioural objectives, not to replace behaviour objectives but to complement them. First, he describes problem-solving objectives. One of the limitations of behavioural objectives he identifies is the need to know what the end product will be before students begin. But many of the questions we pose to our students do not have a single, clearly-defined answer. Instead, we ask them to solve a problem, with varying constraints. Even in the introductory programming course I taught, students solved the problems in different ways. My solution to the problem was not the only one and so I could not judge them based on whether they solved the problem my  way, I had to develop an evaluation scheme that provided for that flexibility. An example Eisner shares is that of an architect, who must meet the constraints provided by the client, such as budget, site, and architectural style, but the product cannot be fully assessed until it is completed. He explains that, “what is known is the problem; what constitute appropriate solutions remains to be seen after the work has been done” (p. 119). Those constraints can help to form the criteria against which the solution is evaluated but there is no single solution to the problem.

The second alternative is expressive outcomes. Something I missed as I read the earlier part of the chapter was that he used the terms “behavioural objectives” and “problem-solving objectives” but calls these “expressive outcomes“. I tend to use the two interchangeably but he’s sees a clear distinction. Objectives represent the goals we have for our students, which lead to activities. For example, we might have a goal of evaluating students’ ability to analyse a budget, which leads to an activity in which we present a case study and ask them to analyse someone’s budget. But for expressive outcomes, we begin with the activity and the outcome is

essentially what one ends up with, intended or not, after some form of engagement. Expressive outcomes are the consequences of curriculum activities that are intentionally planned to provide a fertile field for personal purposing and experience. (p. 120)

I have read this chapter several times but it is only now that I realized my error. I didn’t pick up this subtle difference because I use objectives and outcomes with the same meaning. But what is truly different about expressive outcomes is that it is the activity that we plan, not the outcome. As an educator, I cannot foresee all the outcomes that activity might yield but I might have the sense that it has value. We trust that while each student might have a different experience, participation in the activity will have value. To achieve such an outcome, Eisner recommends we “have students engage in activities that are sufficiently rich to allow for a wide, productive range of educationally valuable outcomes” (p. 121).

I like this idea of planning the activity and allowing the outcome to come forth. But I am still uneasy. At the end of the day, I have to give my students a grade. How can I assess students who have a different outcome based on that experience. Is one outcome better than another? What is the criteria against which I judge this experience? How can I be assured that a panel of judges (or the 40 people marking the assignment) will yield the same result? Thankfully, we are not starting from scratch. There are many valuable tools that can help us to evaluate these experiences, experiences that I think are critical to the development of elements in the affective domain.

Veronica

Eisner, E. (1985). The Educational imagination : On the design and evaluation of school programs (2nd ed.). New York: Macmillan.

Lake and rocky islands

 

 

Community of Inquiry in Online Courses – Monika Soczewinski

Photo by Dan Barbus; retrieved from flickr.com Creative Commons; license agreement http://creativecommons.org/licenses/by-nc-sa/2.0/
Photo by Dan Barbus; retrieved from flickr.com Creative Commons; license agreement http://creativecommons.org/licenses/by-nc-sa/2.0/

Online courses and programs, and courses with a significant online component, continue to be a popular option for students due to their flexibility and convenience. However, as many students and instructors taking part in an online, or mostly online, course would agree, there can be unique challenges as well. One of these challenges is the sense of isolation students can experience while online. A student might feel disconnected from the class and instructor, and simply read assigned readings and submit assignments, all without engaging in any significant contact with others in the course or engaging in deeper learning. As someone who is currently enrolled in an online graduate program, I can attest that feeling isolated can happen in online or mostly online courses, but it certainly does not need to.

Mostly I have been lucky in my program and had wonderful instructors who worked hard at making the courses engaging and rich in collaboration. One course design in particular comes to mind, which helped make that course one of my most valuable learning experiences. The instructor in this course used the Community of Inquiry (COI) model to structure our course. This model was developed by Garrison, Anderson and Archer at the University of Alberta. A course designed using this model strives to establish three important elements – cognitive presence, teaching presence and social presence.  The purpose of these three components is to create a shared learning experience for the students, which is reflective, collaborative and meaningful.

Cognitive presence has to do with students developing critical thinking skills in the subject area, and gaining a meaningful understanding of the topic. This part of the COI model can be fostered by asking students to engage in regular reflections and through guided discussions with their peers (Garrison, Anderson, & Archer, 2001). In other words it has to do with helping students create meaning of the material they are learning, and can be accomplished with the support of the next two components.

Teaching presence includes how the learning experience is designed and organized, how it is facilitated, and also includes the leadership component of moving the course forward in the right direction (Garrison, Anderson, & Archer, 2001). An important aspect of teaching presence is that it is not something that only the instructor is responsible for; instead the students increasingly share in this responsibility as the course progresses. It might be difficult to visualize how students can take part in teaching presence, because those components are traditionally solely the responsibility of the instructor. To give you an example from my own course, our instructor gave small groups of students the opportunity to lead the class discussion for a week on a given topic. This included designing the key questions to lead the discussion, making sure the discussion progressed smoothly, and preparing a summary of the conclusions the group reached.

Social presence is a component that might seem tricky to achieve, even in a fully in-class course, but is well worth the effort to strive for. It involves the creating of an environment that allows students to “be themselves” and therefore better identify with each other and the material. By providing an online setting that encourages the sharing of thoughts, reflections and experiences, students can build relationships and engage in discussions for a deeper learning experience (Garrison, Anderson, & Archer, 2000). In my own course, the instructor first guided us by his own example. In the discussion boards he asked open ended questions, promptly responded to student comments, shared his own experiences and encouraged us to share our thoughts. More than that he made the atmosphere comfortable by being warm and personable with little gestures such us using our names, and even using emoticons when giving praise. Students quickly started to feel comfortable and realized that their thoughts and ideas were valued. Soon we all picked up on the example of the instructor and allowed ourselves to make reflective comments, give each other feedback and share ideas.

Using this framework, a course takes on a more active learning approach, rather than the more traditional lecturer-centered approach. Through active learning students can collaborate and integrate their learning and experiences to create a new shared knowledge (Garrison, Anderson, & Archer, 2001). Each of the three components of the COI model are important on their own, but it is when combined that the model really makes an impact on the learning experience. When trying to incorporate some of the tactics of the COI framework the key thing to keep in mind is that this is a technique that takes planning, dedication and a time-commitment – both from the students and the instructor.

If your interest in the COI framework is piqued, you may want to visit the Community of Inquiry website, which includes publications about the model and even discussion boards where researchers and practitioners can engage in a community of inquiry on the topic.

 

Garrison, D. R., Anderson, T., & Archer, W. (2000). Critical inquiry in a text-based environment: Computer conferencing in higher education. The Internet and Higher Education, 2(2-3), 87-105.

Garrison, D. R., Anderson, T., & Archer, W. (2001). Critical thinking, cognitive presence, and computer conferencing in distance education. American Journal of Distance Education, 15(1), 17-23.